Edie and the Box of Flits

by Kate Wilkinson, illustrated by Joe Berger

Interest age: 9 to 11
Reading age: 9+

Published by Piccadilly Press, 2021

  • Adventure
  • Chapter books
  • Fantasy
  • Funny

About this book

Edie feels lonely since starting secondary school, as her best friends have turned their backs on her, so she spends more time than ever at London Transport’s Lost Property Office, where Dad works. One day, while examining a wooden box which was left on a tube train, she makes an incredible discovery: the box is inhabited by three young ‘flits’: tiny, winged people who can only be seen by children under the age of 13.

The flits – Impy, Speckle and Nid – are desperate to locate their missing family, who were last seen being pursued through an underground tunnel by sinister birds, known as 'magpins'. Promising to help them, Edie is concerned to learn that other young flits from across the city are also mysteriously disappearing. Together with her new, small-but-mighty friends, she is plunged into a thrilling subterranean adventure across the London Underground network, which is more dangerous than she could ever have imagined.

With a wonderful cast of characters and an exciting plot, this enchanting fantasy adventure, reminiscent of The Borrowers, is a fabulous read. Expressive black-and-white illustrations feature throughout, adding touches of humour and bringing this tale of friendship, courage and determination to life. 

About the illustrator

Joe Berger has been drawing for as long as he can remember. He grew up loving books and the thought of giving children the same excitement he felt from reading is a huge part of his inspiration.

The official illustrator of World Book Day 2010, Joe has had three picture books published: Hattie the Bad, Bridget Fidget and Bridget Fidget – Hold on Tight! (Puffin Books). He received a Book Trust Best New Illustrators Award in 2011.

Joe’s illustrations are hand drawn with pencil, pen or wax crayon and then scanned into the computer where he adds colour. Before using the computer he found colouring difficult. He explains that using the computer you can make mistakes and correct them and once you’ve got used to this freedom you can’t go back.

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