Why schools need inclusive books

Author Victoria Williamson explains why including books about lots of different experiences is crucial in a school.

Fear of the unknown

Like many children who went to primary school in the 1980s, my experiences of disabled people at the time was very limited. Back then, children with additional support needs mostly went to separate schools, and there were very few opportunities for discussing various types of disability or getting to know a child with a disability unless they happened to be related to you or were a neighbour. Unfortunately, this lack of familiarity could lead to misunderstandings, or worse, a fear of the unknown.

That’s what I discovered when a boy with cerebral palsy joined a local church social club for the summer when I was eight. I’m ashamed to admit now that I was a little nervous around him. I was worried about coming across as rude because I didn’t understand what he was saying, and so I didn’t spend enough time with him to get comfortable with his speech patterns. I was worried that he’d hurt himself during running games when he fell using his walking frame, and so I didn’t pick him for my teams. I was worried he would choke at snack time as he found swallowing difficult, and so I sat at the other end of the table. My interactions with him weren’t about him – they were self-absorbed reflections about how he made me feel.

I didn’t see him as someone who was like me – in fact, I saw him as someone completely different.

Years later when I started university, I read an article about him in the local newspaper. It was about his academic achievements, and about his experiences studying at university. It was definitely a lightbulb moment for me. Not only did I realise that the boy I’d previously thought was so unlike me was actually doing similar things with his life, he also turned out to be smarter and more talented than me too.

I didn’t forget that lesson. Later, as a primary school teacher specialising in working with children with additional support needs, I reminded myself and the children regularly about the importance of not pre-judging, and of getting to know people on the inside and not just the outside.

How books help us empathise with each other

On my teaching journey, I discovered that one of the best ways to help children to empathise with each other is through children’s books. There are two big advantages to this approach to learning about additional support needs. The first is that it opens up a dialogue about disability without putting a particular child on the spot and making the conversation specifically about them.

Not all children like being the centre of attention or answering lots of questions about themselves, so children’s books are a great way to help those children be seen’ without forcing them into the limelight.

The second advantage is that by reading a range of children’s books where disabled children are the heroes of the adventures, it helps children to see the potential in everyone, as well as helping them see how much they have in common with others who initially seem different.

Looking back, I can see that many of my early preconceptions about the boy with cerebral palsy in the social club could have been overcome right at the start of the summer by adults discussing disabilities with us in an open and empathetic way. If we’d had the chance to ask questions to dispel our misconceptions and to overcome our misunderstandings, that summer club could have been a positive learning experience for all of the children, and a much more welcoming place for the boy who often got left out as a result of the other children’s lack of understanding. But back then, many adults didn’t really understand much about disability either, or how to help all children feel integrated into the group.

Illustration: Fiona Lumbers 

Inclusion and integration

Fast forward thirty-five years, and we’ve come a long way. Schools are now much more inclusive places, and children regularly come into contact with others who have different ways of seeing and interacting with the world. But inclusion’ is not the same as integration’, and without help from adults, children can still be in the same room together without necessarily understanding the experiences of others. This is where children’s books have an important role to play in bridging that understanding gap.

Reading stories narrated by a wide range of different characters can help children to experience life in different ways, and to see the similarities as well as the differences in others.

For example, in my middle grade book, The Boy with the Butterfly Mind, the main character, Jamie, is initially badly understood by his step-sister, Elin. Elin is neat and orderly, and can’t understand why Jamie can’t just do as he’s told’ by teachers and parents, and why he’s always so messy and forgetful. By hearing about Jamie’s ADHD and struggles to fit in’ with his new family in his own words, children without ADHD have the chance to understand what this might be like, while children with ADHD have the chance to be seen’ through the character of Jamie. In my teen book, War of the Wind, the main character, Max, loses his hearing in a boating accident, and initially struggles to fit in with the additional support needs class, as these are children whom he and his former school friends used to make fun of. His own lightbulb moment’ in the story mirrors my own, when he realises the boy in his class with cerebral palsy is actually the one who has the talent and ability to help them solve the scientific riddle of the secret government experiment that threatens their island.

  • The Boy With the Butterfly Mind

    by Victoria Williamson 

    2019 9 to 12+ years 

    • Coming-of-age
    • Behavioural/​emotional/​social

    The complexities of families divided by break-up and reformed as blended versions of themselves will have been experienced by many readers. Elin and Jamie’s story is a compelling and affecting book about acceptance, openness and family dynamics.

  • War of the Wind

    by Victoria Williamson 

    2022 9 to 12 years 

    • Adventure
    • Deafness
    • Disability

    Max is sure that the new wind turbines on his island are sinister, but will anyone listen to a frustrated deaf schoolboy? Gripping, eerie and thought-provoking, this has a brilliant cast of characters.