The shortlist announcement for the CLiPPA (CLPE Children’s Poetry Award), is eagerly awaited by schools and young people, keen to get to know the books through its special shadowing scheme and compete for a place to perform live onstage at the CLiPPA Poetry Show, which will take place this year at the National Theatre on 20 June.
Inspiring children to read poetry aloud using the CLiPPA shortlisted books
Saira Bano, judge for the CLiPPA, CLPE Children’s Poetry Award, introduces this year’s shortlist and, with Darren Matthews of CLPE, suggests ways to use the CLiPPA shortlist to bring poetry off the page for children.

Performing poems aloud is the best way for children to encounter poetry and there are huge benefits when they do.
The CLiPPA shortlist and the shadowing scheme provide the perfect opportunity to bring poetry spectacularly to life in the classroom. Every year, the judges choose five exemplary collections of poetry to place on the shortlist and CLPE creates free resources for each, so that teachers can instantly integrate any of the collections into their school curriculum.
We’re delighted to reveal the five collections on this year’s shortlist and to suggest ways to bring them alive in the classroom, giving children access to the rich and vibrant world that poetry offers.
Meet the shortlisted books
First up is Big Red Dragon by Jane Newberry, illustrated by Carolina Rabei. This collection is an immersive introduction into poetry for young children. The rhymes are short, rhythmic and full of memorable repetition.
They’re all action rhymes, providing children with ample opportunity for movement, dance and performance. Many of the poems involve living creatures and nature, making them perfect for enjoying outdoors.
Let Sleeping Cats Lie by Brian Bilston is a collection of humorous and engaging poems themed around a topic that many children will find relatable: pets. It’s a great example of the power of language and wordplay in poetry and will challenge children to think creatively about the way they use language and poetic devices and forms in their own writing.
We are Family, Six Kids and a Super-dad, A Poetry Adventure, written by Oliver Sykes and illustrated by Ian Morris, is a heartfelt and honest ode to family. It explores the complex family dynamics that shape us, celebrating the juxtaposition of love, warmth, and humour with tensions, challenges, pain, and sacrifice.
While the childhood experiences conveyed in the book are specific to the poet’s experience, the themes will resonate with young readers in varying ways. The poems provide children with opportunities for connection, reflection and empathy that will inspire their poetry reading, writing and performances.
Each poem in Colette Hiller’s ambitious, rewarding collection Colossal Words for Kids explores the meaning of an intriguing word in an innovative format, accompanied by gloriously silly illustrations by Tor Freeman.
Not only do these poems build young readers’ vocabulary, with Hiller’s use of rhyme rendering them super-memorable, but they also spotlight the playfulness of language and celebrate the power of a well-chosen word.
Wise Up! Wise Down! is a joint project between John Agard and JonArno Lawson, wonderfully illustrated by Satoshi Kitamura. These two accomplished poets have a conversation in poetry, riffing on one another’s thoughts, going off at tangents and throwing in nonsense rhymes too!
We’re sure the poems in this groundbreaking collection will tempt children to start their own poetry conversations.
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Wise Up! Wise Down!
by John Agard and JonArno Lawson, illustrated by Satoshi Kitamura
2024 9 to 12 years
Tips for exploring the shortlist
We’re highlighting the best ways to introduce the CLiPPA shortlist to young readers and listeners.
1. Share them aloud
Children need to hear poetry read aloud! Choose the shortlisted collection that is right for your class and read aloud a few poems each day, giving children a chance to savour the tunes, patterns, emotions and voice of each one.
You can also give children an opportunity to hear the poems read aloud by the poets themselves: each of this year’s shortlisted poets have been filmed performing their poems and these are all available on the CLPE website.
2. Show off their poetic devices and forms
As children get to know the collection and become more experienced reading and exploring poetry, draw their attention to how poetry can be laid out, and how it’s different to narrative and informational writing.
Poetry plays with the space on the page and revisiting the poems that children are most interested in provides opportunities to introduce children to specific forms or devices, looking at how poets have crafted and shaped lines and used words to evoke thoughts and feelings.
3. Perform the poetry
If you want to get to know a poem really well, turn it into a performance. If poetry stays on the page as a printed object, it’s not going to come alive for children – but speaking it, learning it, and making it a performance, solo or group, will ensure it does.
Giving voice and sound to poetry unlocks the meanings and music contained in each poem. It is through performing poetry that the power of language can be explored and realised. Speaking favourite poems aloud also leads children to reflect more thoughtfully on their meaning – and how that meaning has been shaped by the poet’s choices.
4. Write poetry
Getting to know a poem inside out is a great way to spark children’s own creative writing, putting lots of ideas at their fingertips. Like many poets, children might be inspired to write a poem to encapsulate or express a particular idea, feeling, observation, memory or lived experience.
Alternatively, as John Agard and JonArno Lawson suggest, they might be inspired to write a poem in response to a picture, painting or other external stimulus. As they look at the picture, they could write down words and phrases that come to mind, then put them together in ways that capture and communicate their initial response.
Good luck if you decide to enter the CLiPPA Shadowing competition, and enjoy the poetry!

English lead and Year 4 teacher, Thomas Buxton Primary School in Tower Hamlets
Saira works hard on developing reading for pleasure, oracy and vocabulary in her school and worked with the Tower Hamlets Oracy Hub to develop oracy within the whole borough. Saira worked with CLPE and Michael Rosen on ‘Another Year of Poetry’ where she developed children’s engagement with poetry and researched ways to create a poetry friendly classroom.
Primary Advisory Teacher, Centre for Literacy in Primary Education
Along with the rest of the CLPE teaching team, Darren writes book-based teaching plans, devises and delivers training programmes and works with schools to develop best practice in all aspects of literacy teaching.