book cover

Stolen History

by Sathnam Sanghera, illustrated by Jen Khatun

Interest age: 9 to 11
Reading age: 9+

Published by Puffin, 2023

  • Around the world
  • Historical
  • Non-fiction

About this book

What do tea, cotton, sugar and tobacco have in common with zombies, curry, dungarees and bungalows? They all came to Britain as a direct result of the British Empire. (Actual zombies didn’t come here, just the word ‘zombie’ – in case you were wondering).

If you thought an empire was something to do with the Romans and Star Wars you’d be right but the British once had an empire that was the biggest and most powerful in the world. Perhaps you knew that already but how much do you know?

Considering the huge impact the British Empire had on the country we live in today, most people, children and adults alike, know relatively little about what it was, where it was and what its long-term effects have been on the world around us.

Stolen History is a starting point for important conversations about right and wrong, ethics, different interpretations of history and how, or if, countries that once ruled others should make amends.

Is it OK to visit stately homes that were built with the profits from the Slave Trade? Should museums give back artefacts that were stolen from other countries? Read this book and make up your own mind.

About the author

Sathnam Sanghera, the author of acclaimed memoir The Boy with the Topknot / If You Don’t Know Me By Know (depending on which edition you own), is also a journalist for The Times, working on a business and a lifestyle column. Born to Punjabi parents and growing up in Wolverhampton, he led an eccentric lifestyle. The book, The Boy with the Topknot, follows Sathnam as he returns home to unravel his family’s problems and reconcile his traditional Asian roots with his flashy London lifestyle. In the process he discovers the truth about his father’s schizophrenia and why his mother won’t accept any English girlfriend of his. It’s a funny and touching piece of work that draws on feelings of belonging and unbelonging, and cultural nuance. Sathnam is an interesting writer, his memoir draws on a lot of music as a backdrop to the words, creating a chronological soundbed of song influences over the years, his writing is journalistic but funny but tender and pained all at the same time. We wondered how he managed to cram all those conflicting styles and emotions into the same bits of prose, so met up with him on a muggy day on Hampstead Heath and talked about the chaos that is the writing process.

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