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Little Darlings

by

Jacqueline Wilson

Illustrator: Nick Sharratt

'My dad is Danny Killman. I suppose there wouldn't be any point telling people even if it wasn't a secret, because who would believe me?'

Meet Destiny, unacknowledged daughter of an ageing rock star. She lives on a run-down estate and her mum struggles to get by.

 

Sunset is Danny’s legitimate daughter, but she hates the luxury lifestyle, the constant photoshoots. When Destiny and her mum attend Danny’s film premiere, Destiny’s secret painfully unfolds – and the step-sisters tentatively discover a genuine friendship.

Destiny and Sunset are beautifully drawn characters, voices from utterly different worlds finding their own identities against the odds.

 

An immensely readable novel which handles serious issues – fractured families, the nature of celebrity – with the lightest of touches.

 

Publisher: Yearling
  • Jacqueline Wilson

    Children's Laureate 2005-2007
    Jacqueline Wilson was born in Bath in 1945, and spent her childhood in Kingston-on-Thames, Surrey, where she still lives today. She started her writing career as a teenage journalist with D.C. Thompson, writing for the teenage magazine Jackie which was named after her. Today her popular books for children have sold millions of copies and have been translated into more than thirty languages.

     

    Jacqueline's books include The Story of Tracy Beaker, which has become a hugely successful BBC TV series; Girls in Love, which together with its two sequels was filmed for ITV television; and Double Act, which she adapted for Channel 4 and which won the Royal TV Society's Best Children's Fiction Award. As the fourth Children's Laureate (2005-2007) she promoted the importance of sharing books, and reading aloud together.

    Visit Jacqueline's website

     

     

    http://www.jacquelinewilson.co.uk
    Jacqueline Wilson
    Jacqueline Wilson
  • Nick Sharratt

    Nick liked drawing from an early age. 'When I was nine,' he says, 'a picture that I'd drawn at school was pinned up in the hall, and the husband of one of the teachers saw it and offered me five pounds to do a similar picture for him. That's when I decided I was going to be a professional artist one day! I nearly always drew in felt tip pens then, and I liked drawing big crowd scenes. I'd start in the bottom left-hand corner of the paper and just let the picture grow, telling myself stories about each of the characters in turn as I drew them.'

    Nick Sharratt
    Nick Sharratt

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