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Cookie

by

Jacqueline Wilson
Illustrator: Nick Sharratt

Beauty, the heroine of this modern fairy tale, is virtually friendless and re-christened 'Ugly' by her school tormentors. She's also contending with an explosively angry father who delights in belittling her and her mother.

 

Her refuge is a children's TV show featuring a pet rabbit, but when she is given a real rabbit for her birthday, her father is enraged. He 'helps' it escape, tragedy occurs and Beauty's mother decides - ENOUGH!

 

They flee, arriving in Rabbit Cove where slowly they rebuild their lives. Mum discovers a hidden talent for baking (hence Cookie!) and Beauty finally discovers herself.

 

Wilson's fluent style makes this an almost effortless read, but dark themes of domestic abuse and self-esteem are sensitively tackled in this redemptive tale of biscuits and rabbits.

 

Publisher: Corgi Children's
  • Jacqueline Wilson

    Children's Laureate 2005-2007
    Jacqueline Wilson was born in Bath in 1945, and spent her childhood in Kingston-on-Thames, Surrey, where she still lives today. She started her writing career as a teenage journalist with D.C. Thompson, writing for the teenage magazine Jackie which was named after her. Today her popular books for children have sold millions of copies and have been translated into more than thirty languages.

     

    Jacqueline's books include The Story of Tracy Beaker, which has become a hugely successful BBC TV series; Girls in Love, which together with its two sequels was filmed for ITV television; and Double Act, which she adapted for Channel 4 and which won the Royal TV Society's Best Children's Fiction Award. As the fourth Children's Laureate (2005-2007) she promoted the importance of sharing books, and reading aloud together.

    Visit Jacqueline's website

     

     

    http://www.jacquelinewilson.co.uk
    Jacqueline Wilson
    Jacqueline Wilson
  • Nick Sharratt

    Nick liked drawing from an early age. 'When I was nine,' he says, 'a picture that I'd drawn at school was pinned up in the hall, and the husband of one of the teachers saw it and offered me five pounds to do a similar picture for him. That's when I decided I was going to be a professional artist one day! I nearly always drew in felt tip pens then, and I liked drawing big crowd scenes. I'd start in the bottom left-hand corner of the paper and just let the picture grow, telling myself stories about each of the characters in turn as I drew them.'

    Nick Sharratt
    Nick Sharratt

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