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Candyfloss

by

Jacqueline Wilson
Illustrated by Nick Sharratt

Many youngsters will relate to the story of Floss, who loves both her parents dearly and desperately wants them to get back together, although deep down she knows this will never happen.

 

Mum has a new partner and a baby but Dad still lives in the dingy flat above the café where he serves the best chip butties in the world. Floss lives with Mum but when she goes to Australia for six months, Floss can't bear to leave Dad on his own so moves into the café to keep him company.

 

In her usual upbeat manner, Jacqueline Wilson tackles such thorny issues as debt, homelessness and bullying. She is neither pessimistic nor patronising but strikes a realistic balance in this latest addition to her comprehensive library.

 

Publisher: Random House Children's Books
  • Jacqueline Wilson

    Children's Laureate 2005-2007
    Jacqueline Wilson was born in Bath in 1945, and spent her childhood in Kingston-on-Thames, Surrey, where she still lives today. She started her writing career as a teenage journalist with D.C. Thompson, writing for the teenage magazine Jackie which was named after her. Today her popular books for children have sold millions of copies and have been translated into more than thirty languages.

     

    Jacqueline's books include The Story of Tracy Beaker, which has become a hugely successful BBC TV series; Girls in Love, which together with its two sequels was filmed for ITV television; and Double Act, which she adapted for Channel 4 and which won the Royal TV Society's Best Children's Fiction Award. As the fourth Children's Laureate (2005-2007) she promoted the importance of sharing books, and reading aloud together.

    Visit Jacqueline's website

     

     

    http://www.jacquelinewilson.co.uk
    Jacqueline Wilson
    Jacqueline Wilson
  • Nick Sharratt

    Nick liked drawing from an early age. 'When I was nine,' he says, 'a picture that I'd drawn at school was pinned up in the hall, and the husband of one of the teachers saw it and offered me five pounds to do a similar picture for him. That's when I decided I was going to be a professional artist one day! I nearly always drew in felt tip pens then, and I liked drawing big crowd scenes. I'd start in the bottom left-hand corner of the paper and just let the picture grow, telling myself stories about each of the characters in turn as I drew them.'

    Nick Sharratt
    Nick Sharratt

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