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Love Lessons

by

Jacqueline Wilson
Illustrator: Nick Sharratt

Prue feels increasingly stifled by life with her tyrannical father and passive mother. She and her sister Grace are home-educated and made to wear home made dresses – their only real contact with the outside world comes from the books they read.

 

Things change when Prue’s father has a stroke and she is forced to attend the tough local school. Prue’s precocious artistic talent and flair for literature does not endear her to fellow pupils but she forms a bond with her sympathetic and handsome art teacher, Rax.

 

Their feelings for each other deepen and soon things begin to spiral out of control. Wilson deals with a controversial subject, portraying the teenage agonies of forbidden love in a sensitive manner. Although there is no immediate happy ending for Prue, the reader is left with a degree of hope for her future.

 

Publisher: Corgi Children's
  • Jacqueline Wilson

    Children's Laureate 2005-2007
    Jacqueline Wilson was born in Bath in 1945, and spent her childhood in Kingston-on-Thames, Surrey, where she still lives today. She started her writing career as a teenage journalist with D.C. Thompson, writing for the teenage magazine Jackie which was named after her. Today her popular books for children have sold millions of copies and have been translated into more than thirty languages.

     

    Jacqueline's books include The Story of Tracy Beaker, which has become a hugely successful BBC TV series; Girls in Love, which together with its two sequels was filmed for ITV television; and Double Act, which she adapted for Channel 4 and which won the Royal TV Society's Best Children's Fiction Award. As the fourth Children's Laureate (2005-2007) she promoted the importance of sharing books, and reading aloud together.

    Visit Jacqueline's website

     

     

    http://www.jacquelinewilson.co.uk
    Jacqueline Wilson
    Jacqueline Wilson
  • Nick Sharratt

    Nick liked drawing from an early age. 'When I was nine,' he says, 'a picture that I'd drawn at school was pinned up in the hall, and the husband of one of the teachers saw it and offered me five pounds to do a similar picture for him. That's when I decided I was going to be a professional artist one day! I nearly always drew in felt tip pens then, and I liked drawing big crowd scenes. I'd start in the bottom left-hand corner of the paper and just let the picture grow, telling myself stories about each of the characters in turn as I drew them.'

    Nick Sharratt
    Nick Sharratt

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